About 30 minutes on a 160 GB card at 600 Mbps for 59.95p.About 74 minutes on a 160 GB card at 240 Mbps for 24p.About 15 minutes on a 80 GB card at 600 Mbps for 59.95p.About 36 minutes on a 80 GB card at 240 Mbps for 24p.Just to put some perspective, this equates to: If you want to grade your videos, you might want to stick to XAVC-I, because it gives you the least compression in 10-bit 4:2:2. *The best quality image is only available up to 60p. Here are the data rates for 10-bit 4:2:2 for the Sony FX6 ( Amazon, B&H): Frame rates at 4K This crop also applies to 16-bit RAW externally. It’s not a big difference, but it’s important to highlight, especially if you’re trying to match the FX6 to other full frame cine cameras. E.g., a 50mm lens will give you a 35mm equivalent of about 55mm. A complete visual representation of the filmmaking process from beginning to end. You can transfer video directly to a computer via USB-C 5Gbps (USB 3.2).Įxclusive Bonus: Download your FREE Blueprint: How to make a movie.Proxy files can be written in 8-bit 4:2:0 XAVC-L 1080p at 8Mbps.16-bit RAW output is available in both 4K DCI and UHD up to 60p, via SDI.Dynamic range is claimed to be 15+ stops in S-Log3 (S-Gamut3, and S-Gamut3.Cine).
You get 10-bit 4:2:2 internally in all modes.Best file format is XAVC-I (up to 60p) and XAVC-L (up to 120p).You get 4K DCI (4096 x 2160) up to 60 fps and UHD up to 120 fps.But not at true 24p!! That’s a real head scratcher. You get continuous auto focus all the way to 120p.There is a 10% crop in 120p, and with RAW over SDI.Sometimes it’s worth reading the fine print: In practical terms though, adding accessories, heavier batteries, etc., will change this. What is actually commendable about this achievement is that Sony did not make any huge sacrifices when it comes to the overall performance of the camera to achieve this weight. The Sony FX6 weighs only around 890g (body only) lower than the Red Komodo’s weight by 10g.
Let’s go over some important quirks and features of the Sony FX6 ( Amazon, B&H) for cinematography and video. He also does these amazing expeditions to Norway to shoot the Northern Lights, storm chasing in the US, and others.It’s natural for a serious video shooter and filmmaker to be interested in this camera. – His blog on cameras, news, tutorials, and production techniques If you haven’t checked out his blog and websites, you really should. We have been privileged to have Alister in for several seminars at Z Systems over the years. These FAQs and tips are mainly from our good friend and colleague, Alister Chapman.
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